Nectarines (For G.B.) 2011 video work. 13 minutes
Nectarines (for G.B.) consisted of several experimental (one hour) events on Thursdays at 6 p.m. at studio 3.2, Metro Arts, 109 Edward Street, Brisbane (beginning February 10, 2011). It was a series of improvised meetings, or events, aimed at initiating a conversation about the possibilities for sound in visual art practices. Several artists who play with the spatial and temporal phenomenon of sound in art practice were invited to make and present work.
Nectarines (for G.B.) was hosted by me and involved Hayley Brandon, Joseph Breikers, Pirrin Francis, Majena Mafe, Melissa Ryke, Erika Scott and Mark Webb. As a project it lends itself to the legacy of George Brecht, specifically his project - Nectarine: An Assemblage. A seminal figure within Fluxus, his art practice was and still is considered playfully propositional and problematic. Brecht is heralded for introducing what is known as the ‘Event Score.'
Nectarines (for G.B.) was hosted by me and involved Hayley Brandon, Joseph Breikers, Pirrin Francis, Majena Mafe, Melissa Ryke, Erika Scott and Mark Webb. As a project it lends itself to the legacy of George Brecht, specifically his project - Nectarine: An Assemblage. A seminal figure within Fluxus, his art practice was and still is considered playfully propositional and problematic. Brecht is heralded for introducing what is known as the ‘Event Score.'
